3-101-542 - "Royal Academy of Arts, London"/Heritage Images

Será lo mismo, (It will be the same), Plate 21, "Los Desastres de la Guerra", c1810, (published 1863). On the right, two men carry a body wrapped in a white sheet, while a figure - perhaps a female relative of one of the dead - covers her face with her hands. On the left are three more bodies. The title of the print highlights the futility of moving the bodies, since taking them somewhere else will be no different to leaving them where they are. Although Goya did not make known his intention when creating the plates (between 1810 and 1815), art historians see them as a visual protest against the violence of the 1808 Dos de Mayo Uprising, the subsequent cruel war that ended in Spanish victory in the Peninsular War of 1808-1814, and the setbacks to the liberal cause following the restoration of the Bourbon monarchy in 1814. The prints were not published until 35 years after Goya's death, probably because only then was it considered politically safe to produce a series of artworks criticising both the French and the restored Bourbons. From "Los Desastres de la Guerra: colección de ochenta láminas inventadas y grabadas al agua fuerte por Don Francisco de Goya", (The Disasters of War: collection of eighty plates made and etched by Don Francisco de Goya), [Madrid, 1863].