3-096-127 - "Royal Academy of Arts, London; photographer: Paul Highnam"/Heritage Images

Birth of Venus; received by Celestial Love, and crowned by Persuasion, c1840. Plaster cast depicting Venus emerging from the sea attended by Celestial Love (left) and Persuasion (right). Lady Eastlake quotes from a letter written by Gibson to his friend Mrs Sandbach (25 December 1840), which explains the subject: 'I am contending the desire to begin to model my design of the birth of Venus: soon I shall abandon everything and begin. Let me bring it before your mental sight. Behold the new-born Goddess of Beauty rise from the sea, one foot on the earth, the other just emerging from the last wave. She looks forward with modesty and innocence while celestial Eros receives her with joyful delight. One the left side of Venus is the Goddess of Persuasion, holding her hand, and crowing her with flowers. Phidias represented Venus risen from the sea and received by Love, which Persuasion presents to her a crown of flowers. That is my authority for introducing Persuasion.' The distinction between Earthly and Heavenly Love was a favourite subject for Gibson and one which Lady Eastlake noted that he enjoyed deliberating and debating.